• The Artistic Directors

  • Associate artists

  • Directors and Dramaturgy

  • Awards

  • Press Reviews

  • Collaborations

  • Environmental and Sustainability Policy

  • Credits

The Company

Formed in 1992 by world-renowned jugglers Sean Gandini and Kati Ylä-Hokkala, Gandini Juggling continues to be at the vanguard of contemporary circus, reinventing and reinvigorating juggling for the 21st Century.
The Company
"At the forefront of British Circus' quiet revolution"

Gandini Juggling celebrates juggling in all its facets, exploring not just what juggling is, but what juggling can be. Currently an ever-evolving ensemble made up of a virtuosic core group of jugglers, they regularly expand to include up to 20 performers for specially commissioned events and performances. Ferociously prolific, they are constantly creating new works, which range from radical art/juggling fusions to accessible theatrical performances, from choreographic studies to commercially commissioned routines.

Since their inception the Gandinis have performed over 6,000 shows in 50 countries. They continue to perform at many of the most prestigious festivals and venues throughout the world. These venues range from Contemporary art museums in France to Opera houses in Germany, from theatres in Lebanon to tents in Argentina. Closer to home the Gandinis can be seen performing at the UK’s major outdoor festivals and theatre houses including London’s Royal Opera House, English National Opera, The Royal National Theatre and Sadler’s Wells.

In creating their work Gandini Juggling collaborated with a wide range of cultural leaders, initially teaming up with the pioneering and influential dance artist and choreographer Gill Clarke. The Gandini’s continue to be influenced by a range of disciplines, which include amongst others, composers, ballet choreographers, fashion designers, computer programmers, sound designers, set makers and mathematicians. They have spent several seasons working with orchestras, choreographing juggling patterns to a wide range of classical compositions and have had music specially composed for them by leading composers Tom Johnson, Nimrod Borenstein, Gabriel Prokofiev and Caroline Shaw. They Choreographed the Olivier Award winning Philip Glass Opera Akhnaten, and made critically acclaimed tributes to Pina Bausch and Merce Cunningham.

In addition to performing, Gandini Juggling is very much in demand at leading circus schools. Teaching workshops, creating performances and supporting the next generation of circus artists. Alongside this, Gandini publishes books and delivers virtual classes to support the wider understanding of the beautiful possibilities of juggling, for jugglers and non-jugglers alike. The Gandini's have an insatiable thirst for juggling pieces and a fiery desire to collaborate, communicate and provoke. They aim to reposition juggling as a versatile, engaging and malleable art form for our times.

The Artistic Directors

The Artistic Directors
Artistic Vision

Gandini Juggling has an insatiable thirst for making juggling pieces; a fiery desire to collaborate, communicate and provoke.  They aim to reposition juggling as a versatile, engaging and malleable art form for our times, engaging in a complex dialogue with the audience, assuming a mutual maturity and imbuing the viewer with a questioning intelligence.

The company creates pieces which are never still, never sedentary and which demand the viewers’ engagement - with an aim to explore new artistic possibilities, allow insights, stimulate imaginations. The Gandini's journeys have always been countercurrent, an individual voice in the global circus scene, with quotidian risk-taking and fearless upturns.

Sean Gandini

Sean Gandini is one of the pioneers of contemporary juggling. Working as a performer, choreographer and director he has, for over 25 years, pushed the boundaries of juggling as a discipline and as an art form.
Growing-up in Havana, Cuba, Sean was fascinated by Magic and Mathematics, but at the age of 16 he began juggling, prompting a life-long fascination with all aspects of the art form. Sean’s professional career began in the 1980s, regularly performing in London’s famous Covent Garden and touring with various theatre companies – including the pioneering Ra-Ra Zoo. In 1991, with Kati Ylä-Hokkala, he co-founded Gandini Juggling and together they have been at the forefront of experiments into what juggling is and what juggling can be.

Sean is a prolific creator. Whether working with the technicality of ‘pure’ juggling, crafting spectacular street art shows, or exploring the ways juggling might blend with other art forms, Sean is guided by a natural curiosity and delight in the myriad possibilities of throwing objects into the air.
This has led to the creation to a diverse array of shows, including the playful Sweet Life; the fiendishly complex celebration of the London Olympics Twenty/Twenty; and their smash hit, the darkly humorous and theatrical homage to Pina Bausch Smashed.

Throughout his career he has collaborated with many other acclaimed artists, including pioneering American musician Tom Johnson and the influential British choreographer Gill Clarke. More recently Sean has collaborated with choreographer Ludovic Ondiviela to create the ground-breaking juggling ballet 4 x 4 (Ephemeral Architectures), set to original music by Nimrod Borenstein. In 2016 Sean worked as juggling choreographer on English National Opera’s acclaimed production of Philip Glass’ opera Akhnaten. Sean regularly teaches in many of the world’s leading Circus Schools, inspiring the next generation of jugglers.

Kati Ylä-Hokkala

Kati Ylä-Hokkala is one of her generation’s iconic jugglers. As a co-founder of Gandini Juggling she has built a reputation not only as a highly-skilled technical juggler but is also renowned as one of the leading innovators in dance-juggling.

Kati’s professional career began in the 1990’s, performing with the influential Ra-Ra Zoo. In 1991, with Sean, she co-founded Gandini Juggling. Since then she has been instrumental in the company’s experiments into the possibilities of juggling, including working to create unique ‘two-person sharing' juggling patterns.

A former rhythmic gymnast, Kati’s distinctive ability to combine movement with extremely complex coordination is second-to-none. In this she has crafted an intimate and extensive knowledge of the relationship between dance and juggling. Knowledge that has ensured that Gandini Juggling’s work is always of the highest technical standard. Kati’s own performances are always accompanied by a unique calm precision, a precision that comes from decades of throwing whilst standing on one leg. Kati has used this same calm precision to steer Gandini Juggling for the past 25 years.

Kati has performed in all of Gandini Juggling’s works since 1991, performing in over 2,500 shows throughout the world – in art galleries and palaces, in town squares and in stadiums, in intimate theatres and on the stages of some of the world’s most iconic venues. In recent years Kati has co-directed many of the company’s pieces.

Associate artists

Associate artists
Gandini Juggling have been fortunate enough to work, and continue to work, with some of the world’s most exciting performers.

Antoni Klemm / Arron Sparks / Carlos Romero / Cecilia Zucchetti / Chris Patfield / Dani Rejano / Dominik Harant / Doreen Grossman / Francesca Mari / Frederike Gerstner / Guido van Hout / Harm v.d. Laan / José Triguero / Kim Huynh / Malte Steinmetz / Maartje Bonarius / Martin Schwietzke / Michael Bell / Niels Seidel / Tedros Girmaye / Sakari Männistö / Lynn Scott / Luke Hallgarten / Yu-Hsien Wu / Valeria Jauregui / Dulce Pessanha Lopes / Benjamin Beaujard / Erin O'Toole / Owen Reynolds / Iñaki Sastre

Guest Jugglers
Anne-Agathe Prin / Biniyam Tesfamariam AKA Bichu / Chris Sly / Christelle Herrscher / Guy Waerenburgh / Ian Marchant / Joe Hague / John Blanchard / Jon Udry / Jorge Silvestre / Marianna De Sanctis / Mehari Tesfamariam AKA Bibi / Nathalie Berthod / Petros Tesfamariam AKA Mitty / Sam Veale / Sebastian Valade / Toby Walker

Previous Jugglers
Alice Devestelle / Alex Dandridge / Alix Wilding / Annette Gilwa / Ben Craft / Ben Richter / Catalina del Castillo / Cecile Poncet / Christoph Mitasch / Goronwy Thom / Dave Evans / Denis Paumier / Ellie Wagner / Haggis Macleod / Ilka Licht / Jay Gilligan / Jeremy Robins / Joelle Huguenin / Karen Bourre / Lindsey Butcher / Luke Wilson / Manuel Mitasch / Manu Laude / Maksim Komaro / Mike Day / Rob Horsman  / Sharon Haddock / Simon Mylius / Thomas Rose / Tomoko Tokushige /

Associate Artists
Jennifer Goggans - Dancer/ Abby Grewcock – Costume Design / Alexander Whitley - Choreographer / Andrew Grant – Lighting Technician / Bob Pearce – Clown / Gemma Banks – Costume Design / Gabriel Prokofiev - Composer / Gill Clarke – Choreographer / Guy Bellingham – Juggler and Musician / Guy Hoare - Lighting Designer / Howie Bailey – Juggler & Visualist/  Ilona Jäntti – Aerialist & Dancer / Jean-Ba Laude – Lighting Designer / Jennifer Kershaw – Lighting Technician / John-Paul Zaccarini – Dramaturge / Ludovic Ondiviela - Choreographer / Lydia Cawson - Costume Designer / Mark Jonathan – Lighting Designer / Mark Morreau - Photographer and Filmmaker / Merlin Shepherd – Musician / Rauli Kosonen / Acrobat / Simone Rebello – Composer & Musician / Steve Williams – Composer & Musician / Tom Johnson – Composer / Thomas JM Wilson – Archivist and Publications Author / Zsolt Balogh 

Chris Swain / Guy Dickens / Martin McLachlan

Directors and Dramaturgy

Directors and Dramaturgy
Over the years, Gandini Juggling has collaborated with various directors and dramaturgues who have had a lasting effect on the work of the company. 

More information about these integral relationships is available in a publication by Thomas Wilson, celebrating the last twenty years of Gandini Juggling. More information here

Gill Clarke worked with Gandini throughout their first decade and has had an enduring influence on the company’s work.

John-Paul Zaccarini helped open the company up to more theatrical works and continues to work as a dramaturg on current shows, Smashed and CLØWNS & QUEENS.

Maksim Komaro directed ‘Motet’, a collaboration with Circo Aereo, which has toured extensively including a North American tour in the winter of 2012.


2004: Quartet - Science and Art Award, Wellcome Trust

2010: Smashed - Herald Angel Award

2017: Sigma - Herald Archangel Award

2017 : Sigma - Total Theatre Award for Visual Theatre

2017 : Sigma - Asian Arts Award for Best Directing

2017: Akhnaten - Best Opera Production, Olivier Award

2020: International Jugglers Association, IJA Award of Excellence in recognition of excellence in the art of juggling through professional performance

Press Reviews

Press Reviews
Over 30 productions and 25 years later, Gandini Juggling is creating some of the most vibrant and challenging performance pieces in the world.

Here is what the press have to say:

The Guardian

‘A show of elegant, wistful beauty’
★★★★ The Guardian

‘A splendid blend of talents imbued with both elegance and wit’
★★★★ The Times

‘A clever, cool and wondrous show that gives delight’

★★★★ The Stage

‘A phenomenal display’
★★★★ Everything Theatre

Interviews with Gandini Juggling:

- Artistic Director, Sean Gandini, speaks with Aesthetica Magazine about Pina Bausch and the mathematics of dance.  

- ‘Thought Circus wasn’t for you? So did Dumbo.’ Read Sean’s interview with Ideas Tap to learn the basics of juggling.  

- Lyn Gardner from The Guardian chats to Sean about exploring ideas, emotion and narrative with juggling. You can also read Lyn’s review of our other touring show Cløwns & Queens; ‘a constantly shifting dance of desire’  

- Author of Sideshow Magazine Circus Magazine, John Ellingsworth, talks to Sean about how the company’s work has changed over the years.  

- Catch the Gandinis on the BBC London News – ‘The Gandini Juggling troupe makes Royal Opera House debut.’ (2012)


The company collaborates with composers, ballet choreographers, fashion designers, computer programmers, sound designers, set makers and mathematicians. The Gandinis have spent several seasons working with symphonic orchestras, choreographing juggling patterns lightly meshed to canonical classic works, have had music specially composed for them by leading composers Tom Johnson and Nimrod Borenstein and recently even choreographing operas.

In 2016 Sean Gandini was asked to choreograph and perform in the Skills Ensemble of ENO production of Philip Glass’s Akhnaten. Joined by 9 Gandini Jugglers the piece premiered at the London Coliseum in March 2016 and transferred to the LA Opera house in November 2016. The ENO are expected revive the piece during 2018 followed by a run at the New York Met in 2019...

Directed by Phelim McDermott, with designer Tom Pye, Akhnaten explores the life and religious convictions of the Egyptian pharaoh, and forms the last of Philip Glass’s trilogy of ‘portrait’ operas in which he looks at figures from the fields of science (Einstein), politics (Gandhi) and religion (Akhnaten).

This hypnotically mesmerising work uses texts drawn from ancient hymns, prayers, letters and inscriptions sung in their original Egyptian, Hebrew and Akkadian.

Alongside working on the main stage production Akhnaten was used as a springboard to create a 30-minute music theatre performance with non-professional performers of mixed ages, working alongside the professional artists from the opera.  As part of the ENO Baylis Community Learning and Engagement programme, Gandini Juggling had an opportunity to develop the technical and physical skills of student, amateur and emerging jugglers - exploring the music and structural patterns drawn from the music and text of Philip Glass’s Akhnaten.

The community group used the physical language of ritual to access the ancient world of Akhnaten and four vignettes were created, each responding to a scene in the opera and the project culminating in a public performance at The British Museum. Professional performers from ENO production joined the participants and a short film has been created to document the journey and tell the story of the ‘Millions of Years project’.


As one of the worlds best technical and innovative jugglers, Wes Peden is a force of nature. 

With shows designed for space stations and parking lots he has performed in over 25 countries including Japan, Israel, Australia, and Iceland. His energetic, complex, and playful juggling style has won him awards from the International Juggling Association and the festival Cirque de Demain. Wes takes inspiration from Sumo wrestling, fast-food packaging, and 1950´s playgrounds.

Wes is currently on tour with his solo project ROLLERCOASTER

Patfield & Triguero

Chris Patfield and Jose Triguero are the creative team behind Gibbon - a poetic and comedic juggling and movement based piece about self-awareness and internal dialogues. The intent of the piece is to unearth the connections between human behaviors, the cycle of nature and to explore the journey into oneself. Gibbon will question notions around affection, violence, co-operation, and external versus internal expectations as well as the need for personal space and what happens when it is taken away.  

Co-produced by Gandini Juggling, Gibbon will innovate choreographically and conceptually by mixing different art forms with juggling, exploring the ideas through a subconscious and visceral approach and using movement/devised theatre tools to create a surreal and touching atmosphere on stage.  

Chris & Jose both graduated from National Centre for Circus Arts and have spent much of their career working, creating and educating with Gandini Juggling. With a strong interest in movement and theatre they have attended dance and choreography courses with artists such as Anton Lachky and Roberto Olivan. They have also worked independently for companies like No Fit State, New London Consort, Keziah Serreau, Stumble Dance Circus, English National Ballet and English National Opera, Hebrides ensemble and St Magnus music festival to name a few.  

Patfield & Triguero ar currently touring Gibbon

Environmental and Sustainability Policy

Environmental and Sustainability Policy
At Gandini Juggling, we fervently champion environmental sustainability as an inseparable facet of our artistic mission. We recognise the arts' potential as a catalyst for positive change and wholeheartedly commit to minimising our ecological footprint while inspiring others to follow suit. This Environmental Sustainability Policy highlights our commitment to sustainable practices and our duty to safeguard the environment.

Our Current Practices

Working as a Team

- The team works remotely as often as possible, using online tools to communicate, rather than meet in person to avoid unnecessary travels

- We use a cloud based filing system to save on paper, but we are also mindful of the environmental impact of such systems and therefore only save and keep documents that are necessary. Archive will be kept on an offline hard disk.

- When travel is necessary, we prioritise bike or public transport when travelling locally, or train when travelling outside of London. 

Equipment and Waste

- We are a paperless organisation. We will only print when necessary and only using recyclable paper.

- We reuse and repair as much as possible before considering buying new equipment.

- We recycle our waste following our local authority guidelines.

With the work we’re doing

- When producing work, we discuss with the creative team ways to make the final production greener: create a set as small as possible so it can be easily transported, recycle equipment and props from other productions, etc.

- When touring, we encourage the team to travel by train rather than car or plane.

- When promoting our activities, we only use paper when absolutely necessary and will always use recyclable paper. We will discuss with the printer ways to use green ink.

- We discuss with partner venues and festivals how to improve our carbon footprint by agreeing on a fixed number of posters and flyers.

- We have a green rider that’s sent to every venue we tour to.

Our Commitment

Gandini Juggling is committed to a policy of continual improvement in identifying, understanding, monitoring and reducing environmental impacts. These include measuring and limiting the carbon footprint of projects, identifying and complying with environmental legislation and greening production practices in key areas of impact including energy, materials, waste and transport.

The company is committed to regularly reviewing their environmental policy and associated action plans to deliver environmental management in accordance with the changing nature of operations and from this data, set green targets and goals.

Data Collection and analysis
In 2023, we have started using Julie’s Bicycle Climate tools to assess where we’re at in terms of carbon footprints, how we compare to other similar organisations and identify areas where we can improve. 

We use the Carbon Footprint Calculator to record, measure and understand the impacts of creation processes, tours and other activities. We are tracking our travels, waste and energy use.

Data-driven insights empower us to offer recommendations to partner venues, adjust our travel itineraries, and employ creative solutions to curtail our carbon footprint.

Gandini Juggling champions environmental action and awareness throughout our leadership, creative processes, artistic programming, and educational endeavours. We will disseminate knowledge on green practices, waste reduction, energy efficiency, and CO2 reduction across our entire workforce, operations, and productions. This policy is a first step in this direction. 

As we grow into this process, we aim to transparently communicate our objectives, accomplishments, and challenges to all stakeholders, including our audience, participants, staff, freelancers and contractors. Eventually, an environmental statement will accompany our work, along with the Environmental Sustainability Policy and Action Plan, available on request and shared as an appendix to contracts and agreements.

For projects and touring Gandini Juggling will set impact targets, a carbon budget and evaluate impact through Julie’s Bicycle’s creative green tools.  As part of green production practices and an ambition to work towards a circular economy the company will follow a process of responsible procurement. 

Gandini Juggling will assess the possible reputational and moral impacts of sponsors and supporters by researching social responsibility policies in adherence to environmental impacts.

Gandini Juggling will seek to reduce energy and water consumption relative to activity. They will seek to reduce waste and apply ambitions to 'reduce, reuse, recycle, repair and refuse'. The company will think carefully about the life cycle of resources as part of productions and through wider partnerships with theatres, schools, families and the local community. 

Through transparent decision-making, accountability and a focus on locality Gandini Juggling hopes to play a part in continuing to help to safeguard the rights of the most vulnerable and create a more ethical planet for the future.  The company believes that these long term values will also have a direct and vital effect on audiences, artists, staff, organisational wellbeing and professional development. 

This policy is not restrictive. We will test its elements to find out what works and what doesn’t. We will review it quarterly and we will continuously research environment topics and evaluate the results of our policy.


Thank you to all the photographers who let us use here their images. 

This website was created and designed by Philippe Savoir, Nicolas Ledoux and Julie Guéguen at ABM Studio, developped by Timothée Rolin and Elsa Laurent.

All contents belong to Gandini Juggling.