• ARTISTIC VISION

  • THE ARTISTIC DIRECTORS

  • Directors and Dramaturgy

  • THE TEAM

  • Awards

  • Press Reviews

  • ASSOCIATE ARTISTS

  • Environmental and Sustainability Policy

  • Credits

The Company

Formed in 1992 by Sean Gandini and Kati Ylä-Hokkala, Gandini Juggling has spent over thirty years questioning the spaces between juggling and other art forms.
The Company
"At the forefront of British Circus' quiet revolution" The Guardian

At its heart, Gandini Juggling is an ever-evolving ensemble. Driven by a core group of virtuosic jugglers, the company regularly expands to include up to twenty performers for large-scale commissions and complex ensemble works. Their output is remarkably varied, ranging from conceptual gallery-space fusions and rigorous choreographic studies to accessible theatrical productions and bespoke commercial commissions.

To date, the company has given over 6,000 performances across 50 countries, seamlessly adapting their work to an extraordinary range of contexts. They are as comfortable in contemporary art museums in France and opera houses in Germany as they are in theatres in Lebanon or festival tents in Argentina. Closer to home, Gandini Juggling is a familiar presence on the UK’s major stages and outdoor festivals, with regular appearances at London’s Royal Opera House, English National Opera, the National Theatre, and Sadler’s Wells.

Collaboration has always defined the company's process. Their early work was deeply shaped by the pioneering dance artist and choreographer Gill Clarke, sparking a permanent dialogue with other disciplines. Over the years, they have collaborated with fashion designers, computer programmers, set makers, and mathematicians. They have worked alongside symphony orchestras, choreographing intricate patterns to classical compositions, and have staged new music written specifically for them by composers such as Tom Johnson, Nimrod Borenstein, Gabriel Prokofiev, and Caroline Shaw. Notably, the company choreographed the Olivier Award-winning production of Philip Glass's opera Akhnaten, and has created widely acclaimed performance tributes to the legacies of Pina Bausch and Merce Cunningham.

Beyond the stage, the company is deeply invested in nurturing the wider circus community. They are in regular demand at leading international circus academies—teaching workshops, directing student pieces, and supporting the next generation of artists. Through published books and digital classes, Gandini Juggling seeks to widen the understanding of the form's poetic and structural possibilities for jugglers and non-jugglers alike. This commitment stems from an enduring curiosity and a quiet desire to position juggling as a versatile, intellectually engaging, and deeply malleable art form for our times.

ARTISTIC VISION

ARTISTIC VISION
Gandini Juggling views juggling as a flexible, intelligent, and deeply expressive art form for our times. We aim to engage audiences in a complex, mature dialogue—one that respects the viewer’s perspective and invites a questioning intelligence.

Our pieces are never static; they demand active engagement, offering new sensory insights and stimulating the imagination. By consistently charting a distinct path away from mainstream circus conventions, the company embraces a philosophy of steady experimentation and creative risk, constantly questioning what can be achieved when objects and bodies move through space.

THE ARTISTIC DIRECTORS

THE ARTISTIC DIRECTORS
SEAN GANDINI
Sean Gandini is a leading figure in contemporary juggling. As a performer, choreographer, and director, he has spent over three decades expanding the boundaries of the discipline, positioning it as a rigorous contemporary art form.

Raised in Havana, Cuba, Sean was initially captivated by magic and mathematics before discovering juggling at sixteen—igniting a lifelong fascination with the craft. His professional career began in the 1980s as a regular performer in London’s Covent Garden and on tour with pioneering physical theatre companies such as Ra-Ra Zoo. In the early 1990s, he co-founded Gandini Juggling with Kati Ylä-Hokkala, initiating a long series of experiments into the choreographic possibilities of object manipulation.

Sean is a remarkably prolific creator, guided by a natural curiosity for the geometry of items in flight. His work spans multiple formats, from the playful intimacy of Sweet Life and the fiendish structural complexity of the London Olympics commission Twenty/Twenty, to the internationally acclaimed, darkly humorous Pina Bausch homage, Smashed.

His collaborative portfolio includes projects with the minimalist composer Tom Johnson, dance artist Gill Clarke, and choreographer Ludovic Ondiviela, with whom he created the groundbreaking ballet-juggling fusion 4x4: Ephemeral Architectures. In 2016, he served as the juggling choreographer for the English National Opera’s Olivier Award-winning production of Philip Glass's opera Akhnaten. Alongside his creative practice, Sean teaches regularly at major international circus academies, mentoring the next generation of performers.

KATI YLÄ-HOKKALA
Kati Ylä-Hokkala is widely regarded as one of her generation's most influential jugglers. As co-founder of Gandini Juggling, she has established a global reputation not only for her technical virtuosity but as a principal innovator in the field of dance-juggling.

Kati’s career began in the early 1990s with the avant-garde circus company Ra-Ra Zoo, shortly before co-founding Gandini Juggling with Sean. Since the company’s inception, she has been central to its formal experiments, particularly in developing the intricate, highly synchronized language of multi-person object sharing.

A former rhythmic gymnast, Kati possesses a rare ability to blend fluid bodily movement with complex mathematical coordination. This unique background has allowed her to build an extensive, practical understanding of the relationship between dance and juggling, ensuring the company’s work maintains its signature technical rigour. Her performances are defined by a distinct, calm poise—an equilibrium honed through decades of throwing objects while standing on one leg.

Kati has performed in thousands of shows across the globe, from intimate art galleries and historic palaces to major international festivals and stadium-scale arenas. In recent years, she has increasingly stepped into the role of director, co-steering the company’s artistic evolution into its fourth decade.

Directors and Dramaturgy

Directors and Dramaturgy
Over the years, Gandini Juggling has collaborated with various directors and dramaturgs who have left a lasting imprint on the company's repertoire:

Gill Clarke worked with Gandini throughout their first decade, establishing an enduring influence on the company’s choreographic philosophy.

John-Paul Zaccarini helped expand the company's theatricality and continues to collaborate as a dramaturg on current productions, including Smashed and CLØWNS & QUEENS.

Maksim Komaro directed Motet, a major collaboration with Circo Aereo that toured extensively, including a North American tour in 2012.

Seeta Patel co-directed 2017’s SIGMA, an intricate intercultural exploration crossing juggling with the patterns of Bharatanatyam dance.

Alexander Whitley choreographed 2018’s Spring, an avant-garde, cross-artform experience that challenges traditional boundaries of movement and physicality.

Jennifer Goggans and the Merce Cunningham Trust collaborated with the company in 2021 to create LIFE, an enacted love letter to the choreographic legacy of Merce Cunningham.

Yann Frisch and Kalle Nio lent their expertise in contemporary magic to help shape HEKA, the international hit seamlessly combining juggling and illusion.

More information about these integral relationships is available in a publication by Thomas Wilson, celebrating the last twenty years of Gandini Juggling. More information here.

THE TEAM

THE TEAM
Gandini Juggling has been fortunate to work with an extraordinary array of international performers, creatives, technicians, and producers.

PERFORMERS
Benjamin Beaujard / Michael Bell / Nathalie Berthod / John Blanchard / Maartje Bonarius / Marianna De Sanctis / Frederike Gerstner / Tedros Girmaye / Jennifer Goggans / Doreen Grossman / Joe Hague / Luke Hallgarten / Dominik Harant / Christelle Herrscher / Kim Huynh / Ilona Jäntti / Valeria Jauregui / Antoni Klemm / Rauli Kosonen / Dulce Pessanha Lopes / Sakari Männistö / Ian Marchant / Francesca Mari / Erin O'Toole / Chris Patfield / Bob Pearce / Anne-Agathe Prin / Dani Rejano / Owen Reynolds / Carlos Romero / Iñaki Sastre / Martin Schwietzke / Lynn Scott / Niels Seidel / Jorge Silvestre / Chris Sly / Arron Sparks / Malte Steinmetz / Biniyam (Bichu) Tesfamariam / Mehari (Bibi) Tesfamariam / Petros Tesfamariam (Mitty) / José Triguero / Jon Udry / Sebastian Valade / Guido van Hout / Harm van den Laan / Sam Veale / Guy Waerenburgh / Toby Walker / Luke Wilson / Yu-Hsien Wu / Cecilia Zucchetti

CREATIVES
Howie Bailey – Juggler & Visualist
Zsolt Balogh – Video Design
Gemma Banks – Costume Design
Guy Bellingham – Juggler & Musician
Lydia Cawson – Costume Designer
Gill Clarke – Choreographer
Andrew Grant – Lighting & Production
Abby Grewcock – Costume Design
Guy Hoare – Lighting Designer
Tom Johnson – Composer
Mark Jonathan – Lighting Designer
Jennifer Kershaw – Lighting Design
Jean-Ba Laude – Lighting Designer
Emma Lister – Dramaturge, rehearsal director 
Mark Morreau – Photographer & Filmmaker
Ludovic Ondiviela – Choreographer
Gabriel Prokofiev – Composer
Simone Rebello – Composer & Musician
Caroline Shaw - Composer
Merlin Shepherd – Musician
Alexander Whitley – Choreographer
Steve Williams – Composer & Musician
Thomas JM Wilson – Archivist & Author
John-Paul Zaccarini – Dramaturge

TECHNICAL TEAM
Bryony Byrne / Guy Dickens / Martin McLachlan / Julien Poupon / Chris Swain

OFFICE TEAM
Marina Arranz / Jennifer Jameerbocus / Rae Lee / Anne-Agathe Prin / Hélène Roques / Axel Satgé / Hugo Trebels / George Warren

Awards

Awards
2004: Quartet - Science and Art Award, Wellcome Trust

2010: Smashed - Herald Angel Award

2017: Sigma - Herald Archangel Award

2017 : Sigma - Total Theatre Award for Visual Theatre

2017 : Sigma - Asian Arts Award for Best Directing

2017: Akhnaten - Best Opera Production, Olivier Award

2020: International Jugglers Association, IJA Award of Excellence in recognition of excellence in the art of juggling through professional performance

2022: LIFE - Top Ten Dance Shows of 2022 by The Guardian

2025: Nomimation for Best Mid-scale Company, National Dance Awards

Press Reviews

Press Reviews
Over the years, Gandini Juggling’s productions have received widespread critical acclaim from the international press, celebrated for their unique blend of choreographic beauty, technical precision, and understated wit.

"A witty, delightfully deadpan piece where juggling becomes a physical language as expressive as dance." The Guardian (on Smashed)

"A marriage made in heaven... spectacular, inventive, and deeply moving." The Times (on 4x4: Ephemeral Architectures)

"A brilliant, subversively funny mix of juggling and contemporary dance theater." Evening Standard (on Smashed)

"Breathtakingly beautiful... they have transformed a circus skill into an extraordinary form of live poetry." The Telegraph (on LIFE)

“They are confoundingly good” The Stage (on Heka)

A complete archive of press reviews for individual productions can be found on our dedicated Show Pages.


IN-DEPTH ARTICLES & INTERVIEWS

Artistic Director Sean Gandini discusses the choreographic intersection of mathematics and the influence of Pina Bausch in this feature with Aesthetica Magazine.

In a playful exploration of the craft's fundamentals titled ‘Thought Circus wasn’t for you? So did Dumbo,’ Sean shares an introduction to juggling with IdeasTap.

Lyn Gardner of The Guardian speaks with Sean about weaving narrative and emotion into object manipulation, alongside her review of CLØWNS & QUEENS, described as a fluid study of desire.

John Ellingsworth from Sideshow Circus Magazine joins Sean to reflect on the company’s creative trajectory and formal evolution over the decades.

A look back at the ensemble’s milestone 2012 debut at the Royal Opera House, as featured on BBC London News.

ASSOCIATE ARTISTS

ASSOCIATE ARTISTS
A vital part of the company’s mission is supporting the wider contemporary circus ecology. Gandini Juggling frequently works with independent associate artists, providing co-production support, resources, and creative mentorship to help them develop and tour their own work.

Over the years, these close creative alliances have nurtured several landmark projects:

PATFIELD & TRIGUERO
Long-term company collaborators Chris Patfield and Jose Triguero formed a distinct creative partnership to produce Gibbon—a surreal, poetic, and subtly comedic work exploring human behavior, self-awareness, and internal dialogues. Co-produced by Gandini Juggling, Gibbon masterfully directs movement-theatre tools and juggling mechanics to build a touching, hypnotic atmosphere on stage. Both trained at the National Centre for Circus Arts, Patfield and Triguero have spent much of their careers performing and educating with Gandini Juggling, bringing a profound choreographic sensibility to this celebrated independent collaboration.

WES PEDEN
Highly regarded for his innovative and technically formidable approach to the craft, Wes Peden creates work that is both intensely energetic and playfully conceptual. Performing internationally across more than 25 countries, his pieces draw inspiration from unexpected cultural touchstones, ranging from contemporary design to the geometric layouts of playgrounds. His distinctively sculptural and playful style has won him numerous awards, including honors from the International Juggling Association and the Festival Mondial du Cirque de Demain. Gandini Juggling has proudly supported Peden’s boundary-pushing solo creations, including his internationally touring productions Zebra, Rollercoaster, and more.

Environmental and Sustainability Policy

Environmental and Sustainability Policy
At Gandini Juggling, we fervently champion environmental sustainability as an inseparable facet of our artistic mission. We recognise the arts' potential as a catalyst for positive change and wholeheartedly commit to minimising our ecological footprint while inspiring others to follow suit. This Environmental Sustainability Policy highlights our commitment to sustainable practices and our duty to safeguard the environment.


Our Current Practices

Working as a Team

- The team works remotely as often as possible, using online tools to communicate, rather than meet in person to avoid unnecessary travels

- We use a cloud based filing system to save on paper, but we are also mindful of the environmental impact of such systems and therefore only save and keep documents that are necessary. Archive will be kept on an offline hard disk.

- When travel is necessary, we prioritise bike or public transport when travelling locally, or train when travelling outside of London. 

Equipment and Waste

- We are a paperless organisation. We will only print when necessary and only using recyclable paper.

- We reuse and repair as much as possible before considering buying new equipment.

- We recycle our waste following our local authority guidelines.

With the work we’re doing

- When producing work, we discuss with the creative team ways to make the final production greener: create a set as small as possible so it can be easily transported, recycle equipment and props from other productions, etc.

- When touring, we encourage the team to travel by train rather than car or plane.

- When promoting our activities, we only use paper when absolutely necessary and will always use recyclable paper. We will discuss with the printer ways to use green ink.

- We discuss with partner venues and festivals how to improve our carbon footprint by agreeing on a fixed number of posters and flyers.

- We have a green rider that’s sent to every venue we tour to.


Our Commitment

Gandini Juggling is committed to a policy of continual improvement in identifying, understanding, monitoring and reducing environmental impacts. These include measuring and limiting the carbon footprint of projects, identifying and complying with environmental legislation and greening production practices in key areas of impact including energy, materials, waste and transport.

The company is committed to regularly reviewing their environmental policy and associated action plans to deliver environmental management in accordance with the changing nature of operations and from this data, set green targets and goals.

Data Collection and analysis
In 2023, we have started using Julie’s Bicycle Climate tools to assess where we’re at in terms of carbon footprints, how we compare to other similar organisations and identify areas where we can improve. 

We use the Carbon Footprint Calculator to record, measure and understand the impacts of creation processes, tours and other activities. We are tracking our travels, waste and energy use.

Data-driven insights empower us to offer recommendations to partner venues, adjust our travel itineraries, and employ creative solutions to curtail our carbon footprint.

Communication
Gandini Juggling champions environmental action and awareness throughout our leadership, creative processes, artistic programming, and educational endeavours. We will disseminate knowledge on green practices, waste reduction, energy efficiency, and CO2 reduction across our entire workforce, operations, and productions. This policy is a first step in this direction. 

As we grow into this process, we aim to transparently communicate our objectives, accomplishments, and challenges to all stakeholders, including our audience, participants, staff, freelancers and contractors. Eventually, an environmental statement will accompany our work, along with the Environmental Sustainability Policy and Action Plan, available on request and shared as an appendix to contracts and agreements.

Understanding
For projects and touring Gandini Juggling will set impact targets, a carbon budget and evaluate impact through Julie’s Bicycle’s creative green tools.  As part of green production practices and an ambition to work towards a circular economy the company will follow a process of responsible procurement. 

Gandini Juggling will assess the possible reputational and moral impacts of sponsors and supporters by researching social responsibility policies in adherence to environmental impacts.

Improvement
Gandini Juggling will seek to reduce energy and water consumption relative to activity. They will seek to reduce waste and apply ambitions to 'reduce, reuse, recycle, repair and refuse'. The company will think carefully about the life cycle of resources as part of productions and through wider partnerships with theatres, schools, families and the local community. 

Through transparent decision-making, accountability and a focus on locality Gandini Juggling hopes to play a part in continuing to help to safeguard the rights of the most vulnerable and create a more ethical planet for the future.  The company believes that these long term values will also have a direct and vital effect on audiences, artists, staff, organisational wellbeing and professional development. 


This policy is not restrictive. We will test its elements to find out what works and what doesn’t. We will review it quarterly and we will continuously research environment topics and evaluate the results of our policy.

Credits

Credits
Thank you to all the photographers who let us use here their images. 

This website was created and designed by Philippe Savoir, Nicolas Ledoux and Julie Guéguen at ABM Studio, developped by Timothée Rolin and Elsa Laurent.

All contents belong to Gandini Juggling.